"Big Hero 6" has been a critical and commercial hit for Walt Disney Animation Studios, scoring an Oscar nomination and taking in more than $500 million at the box office. But the more important number may be the 39,000 hours Disney Animation spent developing the computer program that made the movie possible. The software, called Hyperion, simulates the physics of light, which can make animated films more lifelike or give them an otherworldly look.
On January 9th, The British Academy of Film and Television Arts nominated Disney’s Big Hero 6, LAIKA and Focus Features’ The Boxtrolls and Warner Bros.’ The LEGO Movie for Best Animated Film. This nomination for Big Hero 6 marks the first time that an animated feature film has been nominated ahead of it's wide release in the UK.
The November 7 arrival of Disney’s Big Hero 6 is as much a supercomputing triumph as it is an animated feast. It’s the coming out party for Hyperion—a cutting-edge light rendering software shaped by both Disney artists and engineers working in concert for two years.
The movie’s metropolitan portmanteau is a marvel of architectural alchemy. Shibuya skyscrapers with pulsing video screens hug San Francisco’s iconic Transamerica Pyramid. Victorian Mission duplexes line hilly San Fransokyo neighborhoods, aglow from the pink-white light of Japanese cherry blossoms in full bloom below.
Disney animators needed some help creating the Boston Terrier Winston in the short film Feast. So director Patrick Osborne put a call out for Disney staffers to bring their terriers to work for a canine study session.
It's been eight years since Disney bought Pixar, eight years since CEO Bob Iger put Lasseter and Pixar president Ed Catmull in charge of Disney's flailing animation division. “There was so much pressure on us to close these doors,” Lasseter says. “Ed and I absolutely could not do that.”
A boy’s best friend is his surprisingly squishy robot in this first teaser from Disney’s next animated feature Big Hero 6 (in theaters Nov. 7.) Inspired by the Marvel comic book of the same name, it focuses on a 14-year-old named Hiro Hamada and his faithful, soft-hearted and soft-bodied best pal Baymax.
Five years after buying Marvel for $4 billion, Walt Disney Pictures will bring the comic book title Big Hero 6 to the screen on Nov. 7 in a full-length animated feature. We’ve got a first look at the poster here.
In early 2010, the Getty Conservation Institute began a collaboration with the Disney Animation Research Library (ARL) to improve the understanding of plastics used in modern and contemporary art. 'Animation Cels Shed Light on Preserving Plastics' explores the partnership to increase the treatment options available to conservators dealing with plastic objects in their collections.
Thousands joined together for an epic coast-to-coast “Frozen” singalong live today on “Good Morning America,” from Tony Award-winning singer Idina Menzel, to the New York City Children’s Chorus, to fans who gathered in Times Square, and viewers around the country who sent in their own heartwarming renditions.
Walt Disney Animation Studios is on a roll that began with 2010's 'Tangled' and continued with 2012's 'Wreck-It Ralph.' And now with Frozen - the $150 million movie has grossed almost a billion worldwide - Disney Animation is re-energized.
Disney Animation's 'Frozen' topped the feature competition at the 41st Annie Awards, collecting five trophies. Another Oscar nominated production, Disney's animated short 'Get A Horse!,' won the Annie for best short subject.
It was a night of laughs and tributes to "Frozen," “12 Years a Slave,” “Lee Daniels’ The Butler,” “Fruitvale Station” and other pictures at the fifth annual African-American Film Critics Association awards.
Quite simply, if the CG Mickey couldn't match the hand-drawn model refashioned to look like the 1928 original, the Oscar-nominated Get A Horse! short wouldn't have worked. And that was the responsibility of CG supervisor Adam Green (Frozen, Wreck-It Ralph, Tangled), who worked side-by-side with 2D supervisor Eric Goldberg. Indeed, Green was mentored by Goldberg during this unique production that brilliantly encapsulates the history of Mickey and Disney.
The nation’s film critics’ expressed very warm feelings for Disney’s Frozen last night at the 19th Critics Choice Awards, naming the film Best Animated Feature and giving the Best Song honor to its top musical number, “Let It Go.”
When Walt Disney CEO and Chairman Bob Iger showed up at the premiere of filmFrozen on Nov. 27, he was already sure that the animated musical about two sisters was something special, a return to the magical essence that made Disney, well, Disney.
The Walt Disney Company's animated musical has been a surprise blockbuster. Despite opening before Thanksgiving, it beat a dozen new entrants to become the most successful movie of the holiday season. A week ago it enjoyed the rare success of ranking No. 1 on its sixth weekend playing nationwide.
In the new “Get a Horse!,” playing in theaters with the animated feature “Frozen,” Mickey, Minnie and their friends go on a hayride, in the process traveling from black-and-white, 2-D hand-drawn images to color, 3-D digital animation.
For four hours on Friday and two hours on Saturday, Walt Disney Studios
gave fans gathered at a convention here an extensive look into its movie
pipeline. And while the crowd was a friendly one, Disney left nothing
But how did Disney’s movie presentations go over with a more skeptical
audience, namely this beat reporter? Here are five takeaways...
The Kids’ Choice Awards were tonight on Nickelodeon, and several
animated films were honored with recognition (sans slime). Disney
Animation’s Wreck-It Ralph won Favorite Animated Movie, while
Adam Sandler won Favorite Voice in Animated Movie for his role as
Dracula in Sony Pictures Animation’s Hotel Transylvania.
Oscar-winner Patrick Osborne and I exchanged
emails about his career at the Walt Disney Animation Studio, where he was the
animation supervisor on “Paperman,” which won the Academy Award for Best
Animated Short Film.
It was the first animated short Oscars for Disney
Animation Studio since 1969. (George Clooney also won his second Oscar that night, as producer for best motion picture “Argo.”)
John Kahrs, the creator of the romantic,
Oscar-winning animated short Paperman,
calls himself a ‘late bloomer’–despite having worked both at Pixar and now
Disney, this is his directorial debut, at age 45.
Being at the Oscars (and the requisite
after-party) was a ‘surreal’ experience for him, so he regaled Vulture with
what happened during his night out with the stars, including his run-ins with
Anne Hathaway, Steven Spielberg, and Jennifer Lawrence.
John Kahrs is a Disney animator and the director of the Oscar-nominated animated short film “Paperman,” which is distinctive for its melding of traditional hand-drawn and computer-generated animation techniques.
a little icebreaker from the makers of Frozen. Walt Disney Animation Studios has debuted
this exclusive concept image from its upcoming comedy adventure, just in time
to make you feel good about your own December.