Rigging artist working at desk

Our People

Meet Jun-Lin

Rigging Artist
How did you get started at Disney Animation?

After graduating from University, I started my career as a Rigging TD in the VFX industry in the UK. I moved to Canada and made the switch from VFX to Feature Animation. When I found out that Walt Disney Animation Studios was opening a studio in Vancouver, I was thrilled, as working at Disney Animation had always been a childhood dream of mine. After the interview process, I joined Disney Animation in 2022 as part of the first batch of riggers to start at the new Vancouver studio.

Tell us about your role at Disney Animation.

As a Rigging Artist, we build a digital puppet that animators can then pose and animate with in their shots. From a static 3D model, we place a skeleton, build controls, sculpt body and face shapes, and add the functionality needed to make the character movable. We work closely with the animation team, iterating on the rig based on their feedback to make sure the rig meets their performance requirements, and the character stays true to the art direction.

What do you like about working at Disney Animation?

Being part of such a collaborative environment, and working alongside incredibly talented and passionate individuals is both inspiring and motivating, as I'm constantly learning from those around me. The opportunity to contribute to projects that touch and inspire audiences around the world is also very rewarding.

What is the most memorable Disney Animation project you have contributed to and why?

I would say Moana 2 was a highlight for me because it was the first feature film I worked on at Disney Animation. Moana has always been one of my favorite animated films, so to have the chance to work on the sequel was particularly meaningful, and I’m proud of what the team accomplished.

Do you have any career advice?

If there’s a career you’re passionate about, go for it. The journey may take time, and the path will be different for everyone, but believe in yourself, keep honing your skills, and stay persistent until you reach your goal.

What do you look for in a portfolio?

Start and end your reel with your best work. Reviewers often watch many reels, so one that is focused and concise can help keep the viewer engaged. For rigging reels, aim to demonstrate both your artistic and technical ability. When showcasing a rig, focus on areas where you may have solved interesting problems or built something challenging.

Your browser is not supported. Please upgrade to continue.