Stereoscopic Supervisor working in front of monitors

Our People

Meet Katie

Stereoscopic Supervisor
How did you get started at Disney Animation?

I started at Disney Animation as a compositor on Dinosaur in 1998. I grew up watching Saturday morning cartoons and Sunday evening Wonderful World of Disney. I was so inspired and excited about all the big visual effects movies that came out in the 90's, especially Jurassic Park, and I wanted to learn how to do that. I got my first job out of college doing paint fixes and scanning hand drawn artwork. I taught myself compositing after hours, and when I heard that Disney was going to make a movie that was half CG and live action, I was so excited! I applied and I'm so grateful to have been here ever since.

Tell us about your role at Disney Animation.

As a Stereoscopic Supervisor, our goal is to create immersive visual experiences that deepen storytelling through the use of 3D depth. The stereo team crafts their sequences with 3D camera work to enhance emotion, guide audience focus, and increase the sense of presence within a scene– helping viewers feel like they a truly part of the film.

What do you like about working at Disney Animation?

What I love most about working at Disney Animation are the people and the projects. The environment is incredibly collaborative and creative, and walking the halls is a constant reminder of the studio's incredible history. I'm surrounded by people who are not only extremely talented, but also genuinely kind and supportive. Every project brings a new and exciting challenge, which keeps me motivated and engaged. I love problem-solving, learning new things, and being continually inspired by the people I work with.

What is the most memorable Disney Animation project you have contributed to and why?

Frozen was my first role as a Stereoscopic Supervisor. I learned so much during that time. Crafting the 3D depth for the "Let It Go" sequence was so much fun. I knew once I saw the cut of the sequence, that I really wanted to work on it. The sequence is so emotional that it allowed me to enhance the depth. I think it turned out really beautiful.

Where do you draw creative inspiration from?

I draw a lot of my creative inspiration from everyday life. As a mom of two teenage boys, watching them grow and discover who they are has been one of the greatest joys and inspirations in my life. I also find inspiration through watching a lot of movies, traveling, reading and photography. Most importantly, I value my quiet time because that's when I feel the most creative.

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